Bibliography

Azarnoush, M. (1994) The Sasanian Manor House at Hajiabad, Iran. Florence.

Bean, S.S.  (1999) The Flourishing Art of Clay Sculpture in Bengal. Maker and Meaning: Craft and Society (1999), 98-111.

Bean, S.S.  (2010) The unfired clay sculpture of Bengal in the Artscape of modern South Asia. In R. Brown and D. Hutton (eds.) Companion to Asian Art and Architecture, 604-628.

Bollati, A. (2005) Antécédents de la sculpture gréco-bouddhique en argile crue à Nisa parthe. In Z. Tarzi (ed) L’art et l’archéologie des monastères gréco-bouddhiques du Nord-Ouest de l’Inde et de l’Asie Centrale, 29-49. Paris.

Bollati, A. (2008) Le sculture in argilla cruda dipinta. In A. Invernizzi & C. Lippolis (eds) Nisa Partica. Gli scavi italiani nel complesso monumentale arsacide 1990-2006, 167-96. Firenze.

Callieri, P. (2014) L’art du stuc à la lumière des trouvailles récentes. In P. Callieri (ed.) Architecture et représentations dans l’Iran sassanide, 103-27. Paris.

Callieri, P., Brocato, P., Filigenzi, A., Nascari, M. and Olivieri, L. M. (1992) Bīr-koṭ-ghwaṇḍai 1990-1992. A Preliminary Report on the Excavations of the Italian Archaeological Mission, IsMEO. Suppl. 73 degli Annali dell’Istituto Universitario Orientale di Napoli 52, 4.

Chiari, G., Invernizzi, A., Bertolotto, G. (1993) Investigation and restoration of clay fragmentary statues from Old Nisa Turkmenistan. Conferencia Internacional sobre o estudo e conservaçao da arquitectura de terra (7). Silves (Portugal), 24 a 29 de Outubro 1993, 228-230. 

Colombo, F. (2009) Soil, Marble and Colour: Restoration and Conservation Across the History of the Italian Archeological Mission in Afghanistan. In A. Filigenzi and R. Giunta (eds.) The IsIAO Italian Archeological Mission in Afghanistan 1957-2007, Fifty Years of Research in the Heart of Eurasia. Proceedings of the symposium held in the Istituto Italiano per l’Africa e l’Oriente, 173-184. Rome.

De Bonis, A., Grifa, C., Cultrone, G., De Vita, P., Langella, A., Morra, V. (2013) Raw materials for archaeological pottery from the Campania Region of Italy: a petrophysical characterization. Geoarchaeology, 28(5), 478-503.

De Bonis, A., Cultrone, G., Grifa C., Langella, A., Leone, A.P., Mercurio, M., Morra, V. (2017). Different shades of red: the complexity of mineralogical and physico-chemical factors influencing the colour of ceramics. Ceram Int 43, 8065-74.

De Bonis, A., Arienzo, I., D’Antonio, M., Franciosi, L., Germinario, C., Grifa, C., Guarino, V., Langella, A., Morra, V. (2018). Sr-Nd isotopic fingerprinting as a tool for ceramic provenance: Its application on raw materials, ceramic replicas and ancient pottery. J Archaeol Sci 94, 51-59.

Emmerling, E. Petzet, M. (eds.) (2016) The Giant Buddhas of Bamiyan II. Safeguarding the remains 2010-2015. Berlin.

Faccenna, D. (1964) Sculptures from the Sacred Area of Butkara I (Swāt, W. Pakistan) (Reports and Memoirs 2). Rome.

Faccenna, D. (1980-81) Butkara I (Swat, Pakistan) 1956-1962 (IsMEO Reports and & Memoirs III 1-5.2). Rome.

Faccenna, D., Filigenzi, A. (2007) Repertorio terminologico per la schedatura delle sculture dell’arte gandharica, sulla base dei materiali provenienti dagli scavi della Missione Archeologica Italiana dell’IsIAO nello Swat, Pakistan/Repertory of Terms for Cataloguing Gandharan Sculptures, Based on Materials from the IsIAO Italian Archaeological Mission in Swat, Pakistan. Roma. 

Fedorovitche, E. (1969) Nouvelle methode de fixation des anciennes sculptures en argile brute. Monumentum, 4 (1969), 97-100.

Filigenzi, A.  (2008) The dāna, the pātra and the cakravartin-ship: Archaeological and Art Historical Evidence for a Social History of Early Medieval Buddhism. In C. Bautze-Picron (ed.) Miscellanies about the Buddha Image. South Asian Archaeology 2007, Special Session 1 (BAR International Series 1888), Oxford 2008, pp. 11-24. ISBN: 9781407303680

Filigenzi, A. (2008) Late Buddhist Art in Archaeological Context: Some Reflections on the Sanctuary of Tapa Sardar, in C. Bautze-Picron (eds.) Religion and Art: New Issues in Indian Iconography and Iconology. Vol. 1 of the Proceedings of the 18th conference of the European Association of South Asian Archaeologists, London 2005 (general editor M. Willis), pp. 49-62. London. ISBN: 9780955392429

Filigenzi, A. (2009) The Buddhist Site of Tapa Sardar. In A. Filigenzi and R. Giunta (eds.) The IsIAO Italian Archeological Mission in Afghanistan 1957-2007, Fifty Years of Research in the Heart of Eurasia. Proceedings of the symposium held in the Istituto Italiano per l’Africa e l’Oriente, Rome, January 8th 2008, 41-57. Rome.

Filigenzi, A. (2009) Ritual Forms, Cult Objects: Tapa Sardar at the Crossroads of Places and Phases of the Buddhist ecumene. In A. Filigenzi & R. Giunta (eds.) The IsIAO Italian Archaeological Mission in Afghanistan 1957 – 2007. Fifty Years of Research in the Heart of Eurasia. Proceedings of the symposium held in the Istituto Italiano per l’Africa e l’Oriente, Rome, January 8th 2008, pp. 59-75. ISBN: 9788863232950

Filigenzi, A. (2010) Post-Gandharan/non-Gandharan: An Archaeological Inquiry into a Still Nameless Period. In M. Alram and D. E. Klimburg-Salter (eds.) Coins, Art and Chronology II, The First Millennium C.E. in the Indo-Iranian Borderlands, 389-406. Wien. 

Filigenzi, A.  (2017) Technology and Humanities: Some Reflections on the Future of Afghan Cultural Heritage. In Stein, G., M. Fisher, H. Latify, N. Popal, and N. Dupree (eds.), Preserving the Cultural Heritage of Afghanistan, Proceedings of the International Conference Held at Kabul University, November 2014, pp. 75-84, figs. 57-69. Chicago: Oriental Institute of the University of Chicago, 2017. SAOC 73. ISBN: 978-1-61491-041-1

Filigenzi, A. (2020) A space of mobility: the interregional dynamics of Buddhist artistic production as reflected in archaeological evidence, East and West, N.S. 1, 205-24.

Filigenzi, A. in collaboration with Z. Paiman and M. Alram (2020) Afghanistan’s pre-Islamic archaeology: vulnerability, resilience and perspectives. In L.R. Greaves and A. Hardy (eds) EASAA 2016, Vol. 1, 223-33. New Delhi.

Filigenzi, A.  (2021) Mes Aynak: Afghan Buddhist Art in Context. In M.N. Walter and J.P. Ito-Adler (eds.) The Silk Road, Interwoven History, vol. 2:  Buddhism, pp. 209-243.  Cambridge, MA: Cambridge Institutes Press. ISBN: 9780991042838

Fominikh, V. (2008) The Buddhist monuments of Adjina-Tepa. Silk Road (2008), 38-43.

Forgione, G. (2019) Clays and colours: Tracking technologies and theories of vision in the ancient Buddhist art of Afghanistan. In L.M. Olivieri, S. Pannuzi (eds.), Restauro Archeologico 27, 1, 130-41.
(https://oaj.fupress.net/index.php/ra/issue/view/526/57)

Forgione, G. (2021) Clay-based sculptures: analysis of technical aspects and typologies. Parthica. Incontri di culture nel mondo antico, 23, 2021 [2022], 145-176.

Forgione, G. (2023) From Afghanistan to Xinjiang: Notes on some types of Buddhist chapels (6th/7th-8th centuries CE). Rivista degli Studi Orientali, Vol. XCVI, Fasc. 2-4 2023 [2024], pp. 69-94.

Fussman, G. (2008) Monuments bouddhiques de la région de Caboul: Kabul Buddhist Monuments, avec la collaboration de Baba Murad et Eric Ollivier. Paris.

Gropp, G. (1974) Archäologische Funde aus Khotan Chinesisch-Ostturkestan. Die Trinkler-Sammlung im Übersee-Museum, Bremen. Bremen.

Hackin, J., Carl, J. et Meunié, J. (1959) Diverses recherches archeologiques en Afghanistan (1933-1940) (Mémoires de la Délégation Archéologique Française en Afghanistan 8). Paris. 

Hameed, A., A. Samad, J.M. Kenoyer, Sh. Sher (2019) Terracotta Sculpture from Bhamāla, Taxila, Pakistan: New Insight on Kushān Manufacturing and Firing Techniques. Gandhāran Studies 13, 79-92.

Houal, J.-B, Paiman, Z. (2023) Pottery studies in Kabul (Afghanistan) and its region from 100 BCE to 1000 CE. Archaeological Research in Asia, HAL SHS Sciences Humaines et Sociales. 

Jo, Y. (2013) Conservation and Scientific Research on Central Asian Clay Figures. In H. Kim (ed.) Central Asian Religious Sculptures in the National Museum of Korea, 122–139. Seoul.

Keal, E.J. (1967) Qaleh-i Yazdigird. A Sasanian Palace Stronghold in Persian Kurdistan, Iran 5, 99-121.

Kröger, J. (1982) Sasanidischer Stuckdekor. Mainz.

Lazzarini, L., D’Ignoti, K., Alfano, G., Cancelliere, S., Bennardo, C. (2019). Archaeometric analyses of the stuccoes and polychromy on temple at Selinunte (Sicily). Technè 48, 6-13.

Lippolis, C., Davit, P., Turco, F. (2019) Stucco and clay in the decoration of the monumental building of Old Nisa. Syria, Supplément V (2017), 311–322.

Litvinskiy, B.A., Pichikiyan, I.  (1981) The Temple of the Oxus. Journal of the Royal Asiatic Society of Great Britain and Ireland, 2 (1981), 133-167. (su Takht-i-Sangin)

Litvinskij, B.A., Zeimal´, T.I. (2004) The Buddhist Monastery of Ajina Tepa, Tajikistan. History and Art of Buddhism in Central Asia, IsIAO, Roma.

Lo Muzio, C. (2022) Some Remarks on Rawak (Khotan Oasis, Xinjiang): The Stūpa, Clay Sculptures and Wall Paintings. In I. Konczak-Nagel et al. (eds.) Connecting the Art, Literature, and Religion of South and Central Asia. Studies in Honour of Monika Zin, 233-245. New Delhi.

López-Prat, M. et al. (2022a) Architectural Terracruda Sculptures of the Silk Roads: New Conservation Insights Through a Diagnostic Approach Based on Non-Destructive X-ray Micro-Computed Tomography. Studies in Conservation, 67, 4, 209-221 (published online in 2021).
(https://doi.org/10.1080/00393630.2020.1862605)

López-Prat, M. et al. (2022b) The role of plants and fibres in modelling monumental terracruda sculptures of the Silk Roads: archaeobotanical analyses from the Buddhists sites of Tepe-Narenj and Qol-e-tut (Kabul, Afghanistan). Heritage Science 10, 67.
(https://doi.org/10.1186/s40494-022-00709-2)

López-Prat, M. et al. (2023) The modeling pastes of the monumental terracruda sculpture of the Silk Roads: Archaeometric study of the Tepe Narenj and Qol-e-Tut examples (Kabul, Afghanistan). Archaeometry (online version), 1–24.
(https://doi.org/10.1111/arcm.12922)

Luczanits, C. (2004) Buddhist Sculpture Clay: Early Western Himalayan Art, Late 10th to Early 13th Centuries. Chicago.

Middleton, A.P., Gill, A.J. (1996) Technical Examination and Conservation of the Stucco Sculpture. In W. Zwalf (Ed.), A catalogue of the Gandharan Sculpture in the British Museum, 1, App. 4, 363–368. London.

Minardi, M. (2020) The ancient Chorasmian unbaked-clay modelled sculptures: Hellenistic cultural ‘impacts’ on an eastern Iranian polity. Religion, Society, Trade and Kingship. Art and Archaeology in South Asia along the Silk Road 5500 (2020), 195–208.

Mkrtyčev, T.K. (2002) Buddijskoe iskusstvo Srednej Azii I-X vv. Moskva.

Novotny, S. (2009) New Research on the Buddhist Monastery of Fondukistan, Afghanistan. In A. Pande (ed.) The Art of Central Asia and the Indian Sub-Continent in Cross-Cultural Perspective, 140-147. New Delhi.

Olivieri, L.M., Pannuzi, S. (2019) Restauro Archeologico 27, 1.

Olivieri, L.M., Filigenzi, A. (2018) On Gandharan sculptural production from Swat: recent archaeological and chronological data. In W. Rienjang and P. Stewart (eds.) Problems of Chronology in Gandharan Art, 71-92. Oxford.

Olivieri, L. M. et al. (2014) The Last Phases of the Urban site of Bīr-koṭ-ghwaṇḍai (Barikot). The Buddhist sites of Gumbat and Amluk-dara (Barikot) (ACT Reports and Memoirs, II), 95-97. Lahore. 

Paiman, Z. (1973) Qalahâ-ye nezâmi ‘asr-e yaftalihâ 1352 [Les forteresses de l’époque hephtalite]. In L’Histoire. Kabul. (In Persian).

Paiman, Z. (1975) yak qabr-e  yaftali dar maghâra-ye C Tapa šotor-e Had, 1354 [Une tombe hephtalite dans la grotte C de Tepe Shotor, à Hadda]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian). 

Paiman, Z. (1976) Sâxtemânhâ-ye ‘ asr-e xânadân-e yunân va bâxtari dar sâha-ye šortoqhai… 1355 [Les vestiges gréco-bactriens sur le site de Shortugaï]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian). 

Paiman, Z. (1977) Šortoqhai sâha-ye ’asr-e bronz dar šamâl-e Afghanistan… 1356 [Shortugaï, site de l’âge du bronze, au nord de l’Afghanistan]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian). 

Paiman, Z. (1983) Motâle’a-ye do asar-e mazabi ‘asr-e bronz dar Afghanistan… 1362 [Etude de deux objets cultuels de l’âge du bronze en Afghanistan]. Afghanistan Archaeological Review: Institute of Archaeology. Kabul. (In Persian). 

Paiman, Z. (1994) La destruction du site de Hadda. Les Nouvelles d’Afghanistan, 64: 9–11.

Paiman, Z. (2001) Emparâtouri yaftalihâ, bein-e qarn-e panjom  elâ acht-e milâdi [L’empire des Hephtalites, du 5ème au 8ème siècle]. Limoges: Association  de la culture afghane. (In Persian).

Paiman, Z. (2004) Bamiyan sous l’empire des Hephtalites. In O. Weber, S. Douette (dir.) Routes de la soie. La mémoire retrouvée de  l’Afghanistan. Paris.

Paiman, Z. (2004) Katiba-e Rabatak… 1383 [L’inscription de Rabatak]. Review of Kushan Research. Kabul. (In Persian). 

Paiman, Z. (2005) Rapor-e daura-e avval-e kāveš dar sāha-ye Tepe Nāranǰ… 1383 [Rapport de la première campagne de fouille à Tepe Nârenj en 2004]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian). 

Paiman, Z. (2005) Bâmiân dar ‘asr-e  yaftalihâ… 1384 [Bamiyan sous les Hephtalites]. Afghanistan  Archaeological Review. Kabul: Institute of Archaeology. (In Persian). 

Paiman, Z. (2005) Gozāreš-e  elmī-ye daur-e  dowom-e hofriyāt dar Tapa Nāranǰ  (kenār-e zīyārat-e Panǰe Šāh, junūb-e Bālā Ḥisār… 1384 [Rapport sur la deuxième campagne de fouilles de Tepe Nârenj, près de la ziarat de Panja Shâh, au sud de Bala Hisar]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian).

Paiman, Z. (2005) La renaissance de l’archéologie afghane : découvertes à Kaboul [Khwāja Safā et Tepe Nârenj]. Archéologia 419: 24–39.  

Paiman, Z. (2006) Gozāreš–e daur-e awal-e hofriyāt dar qariya-ye Kunǰakai Oriyā Khail, Paghmān 1384 [Rapport sur la première campagne de fouille dans le village de Kunjakaï, Uriyā  Khēl, Paghmān]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian).

Paiman, Z. (2006) Kašf-e maktab-e honari hawzay-e Kâbul dar Tapa Nâranj, 1385 [Découverte de l’école artistique de la région de Kaboul, à Tepe Narenj]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian).

Paiman, Z. (2006) Bâmiyân sous les Hephtalites. Afghanistan Archaeological Review 18: 1–33.

Paiman, Z. (2006) Bâmiyân sous les Hephtalites [suite]. Afghanistan Archaeological Review 19/20: 1–22.

Paiman, Z. (2006) Région de Kaboul, nouveaux monuments bouddhiques [Tepe Nârenj et Kunjakaï]. Archéologia 430: 24–35. 

Paiman, Z. (2007) Kašf-e yak tâj-e šah-ye yaftali az Tapa Nâranj, 1386 [Découverte d’une couronne d’un roi hephtalite à Tepe Narenj]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian).

Paiman, Z. (2008) Gozâreš-e daur-e tchahârom wa panjom-e hofriyat dar Tapa Nâranj, 1386 [Rapport des 4ème et 5ème campagnes de fouilles à Tepe Narenj]. Afghanistan Archaeological Review. Kabul: Institute of Archaeology. (In Persian).

Paiman, Z. (2008) Kaboul riche foyer d’art bouddhique. Archéologia 461: 56–65. 

Paiman, Z. (2009) Découvert de monastères bouddhiques à Kaboul. Les Nouvelles d’Afghanistan 125: 15–19. 

Paiman, Z. (2009) Monastères bouddhiques à Kaboul. Les Nouvelles d’Afghanistan 125: 15–19. 

Paiman, Z. (2010) Afghanistan les bouddhas colorés des 5ème et 6ème siècles. Archéologia 473: 52–65.

Paiman, Z. (2010) Quelques remarques sur les monuments et l’histoire de la vallée de Bamiyan. In Paysages de l’Afghanistan. Actes de la journée d’étude du 28 mars, CEREDAF. Paris: 112–130.

Paiman, Z. (2013) Tepe Narenj à Caboul, ou l’art bouddhique à Caboul au temps des incursions musulmanes [avec Michael Alram pour les monnaies]. Paris: Collège de France, Publications de l’Institut de civilisation indienne.

Paiman, Z. (2014) Archaeological Activity in Kabul. In G.J. Stein, M.T. Fisher, A.H. Latify, N. Popal, N.H. Dupree (eds.) Preserving the Cultural Heritage of Afghanistan. Proceedings of the International Conference held at Kabul University, November 2014. Chicago–Illinois: 33–58.

Paiman, Z. (2015) Archéologie et histoire de Kaboul. Les Nouvelles d’Afghanistan 151: 21–25. 

Paiman, Z. (2018) Le monastère de Qol-e-Tut à la lumière des fouilles archéologiques / The monastery of Qol-e-Tut in the light of archaeological excavations. Afghanistan 1.1 (2018), 95–121.
(https://doi.org/10.3366/afg.2018.0007)

Paiman, Z. (2019) Etude préliminaire de quelques aménagements du monastère bouddhique de Qol-e-Tut. Newsletter di Archeologia CISA 10: 287–319. 

Paiman, Z. (forthcoming) Zendegi edjtemâi, eqtesâdi va syâsi Emparâtouri yaftalihâ [Vie sociale, économique et politique de l’empire  hephtalite]. (In Persian).

Paiman, Z., Filigenzi, A. (2020) Etude préliminaire de quelques aménagements du monastère bouddhique de Qol-e-Tut avec une note d’introduction par Anna Filigenzi. Newsletter di Archeologia CISA 10: 275-307.

Paiman, Z., Alram, M. (2010) Tepe Narenj: A Royal Monastery on the High Ground of Kabul, with a Commentary on the Coinage. Journal of Inner Asian Art and Archaeology 5: 33–58.

Paiman, Z., Alram, M. (2013) Tepe Narenj à Caboul, ou l’art bouddhique à Caboul au temps des incursions musulmanes / The Tepe Narenj Buddhist Monastery at Kabul, Buddhist Art during the First Muslim Raids against the Town. Paris.

Petzet, M. (ed.) (2009) The Giant Buddhas of Bamiyan. Safeguarding the Remains. Berlin. https://openarchive.icomos.org/id/eprint/2933/

Pilipko, V.N.  (1995) Clay sculptures from Nisa. In A. Invernizzi (ed.) In the Land of the Gryphons. Papers on Central Asian Archaeology in Antiquity, 13-21.

Pilipko, V.N. (2002) The second helmeted head from Old Nisa. Iran, 40 (1) (2002), 273-276.

Pugachenkova G. A. (1965) La sculpture de Khaltchayan, Iranica Antiqua 5, 1965, 116-27.

Pugachenkova G. A. (1966) Khalchayan, Tashkent, 1966.

Pugachenkova G. A. (1970) The Sculpture of Khalchayan. Moscow.

Pougatchenkova, G.A. (1978) Les trésors de DalverzinTépé. Léningrad.

Pugachenkova, G.A., Dar, S.R., Sharma, R.C. & Joyenda, M.A. (1994) Kushan Art. In J. Harmatta, B. N. Puri, G. F. Etemadi (1994) History of civilizations of Central Asia, v. 2: The Development of sedentary and nomadic civilizations, 700 BC to AD 250, 331-395.

Rahbar, M. (2004) Le monument sassanide de Bandiân, Dargaz: un temple du feu d’après les dernières découvertes 1996-98. Studia. Iranica 32, 7-30.

Rhie, M.M. (1999) Early Buddhist Art of China and Central Asia, 1. Later Han, Three Kingdoms and Western Chin in China and Bactria to Shanshan in Central Asia. Leiden.

Schmidt, B. A. (2024). A technical analysis on modular systems in the production of Buddhist clay-based sculptures from Karashahr: connecting Silk Road collections in Berlin and London. Silk Roads Archaeology and Heritage, 1(1), 29–51. 
DOI: https://doi.org/10.5334/srah.5

Silvi Antonini, C. (1995) The Dalverzin Temple. In A. Invernizzi (ed.) In the Land of the Gryphons. Papers on Central Asian Archaeology in Antiquity, 259-268. Firenze.

Stein, M.A. (1907) Ancient Khotan. Detailed Report of Archaeological Explorations in Chinese Turkestan, 2 vols. Oxford.

Stančo, L. (2016) Afghanistan. Rescued Treasures of Buddhism. Prague.

Taddei, M. (1968) Tapa Sardār First Preliminary Report. East and West 18, 109-124.

Taddei, M. (1992) The Bejewelled Buddha and the Mahiṣāsuramardinī: Religion and Political Ideology in pre-Muslim Afghanistan. In C. Jarrige (ed.) South Asian Archaeology 1989, 457-464. Madison.

Taddei, M. (1993) La plastica buddhistica in argilla in Afghanistan e nel Nordovest del Subcontinente indiano. In AAVV, Oxus: Tesori dell’Asia Centrale, 118-122. Roma.

Taddei, M., Verardi, G. (1978) Tapa Sardār – Second Preliminary Report. East and West 28, 1-4, 33-135.

Tarzi, Z. (1977) L’architecture et le décor rupestre des grottes de Bamiyan (Bibliothèque du Centre de Recherches sur l’Asie Centrale et la Haute Asie 1). Paris. 

Tarzi, Z. (1986) La technique du modelage en argile en Asie centrale et au nord-ouest de l’Inde sous les Kouchans. La continuité malgré les ruptures. Ktema. Civilisations de l’Orient, de la Grèce et de Rome antiques, 11.1986.

Tarzi, Z. (2005) Sculpture in the Round and Very High Relief in the Clay Statuary of Hadda: the Case of the so-Called Fish Porch (Niche XIII). East and West 55, 1-4, 383-394.   

Turgunov, B. A. (1992). Excavations of a Buddhist Temple at Dal’verzin-tepe. East and West, 42(1), 131–153. http://www.jstor.org/stable/29757029

Varma, K. M. (1961) The Rôle of Polychromy in Indian Statuary. Artibus Asiae, vol. 24, no. 2, 1961, 117–32.

Varma, K. M. (1970) The Indian Technique of Clay Modelling. Santiniketan.

Varma, K. M. (1987) Technique of Gandharan and Indo-Afghan Stucco Images (including images of Gypsum compound). Proddu Santiniketan.

Verardi G. (1983) Osservazioni sulla coroplastica di epoca kuṣana nel Nord-Ovest e in Afghanistan in relazione al materiale di Tapa Sardar. AIUON Annali dell’Istituto Universitario Orientale di Napoli, 43, 479-504.

Verardi, G., Paparatti, E. (2005) From Early to Late Tapa Sardār. A Tentative Chronology. East and West 55, 1-4, 405-444. 

Verri, G. et al. (2019) Investigations of a Gandharan stucco head of the Buddha at the Victoria and Albert Museum (IM.3-1931). Technè, 48, 136–149. 
DOI: https://doi.org/10.4000/techne.2792

Vignato, G. (2021) The Reappearance of the Buddha. A Preliminary Study on the Lost Clay Statues in the Caves of Kucha. East and West 61, 2, 101-124.

Yousaf, Z. (2019) Tripartite Cape of Buddha: A Case Study of a Stucco Bust from Shnaisha Site, Swat-Khyber Pakhtunkhwa. Gandhāran Studies 13, 73-78.