eartHeritage – PRIN 2022JL5HLY
eartHeritage – PRIN 2022JL5HLY
Bellucci, V., Colliva, L., Mancini, S., “Il Database del Progetto PRIN 2022 eartHeritage. Proposte di innovazione digitale per la salvaguardia del patrimonio archeologico. In R. Secci, M. Marano (a cura di) Documentare, valorizzare e fruire i Beni archeologici. Metodi e pratiche nell’era digitale. Bologna University Press
Colliva, L., Mancini, S., “Two distinct Stucco Productions from Gawr Tepe (KRI, Iraq). Preliminary Results of a MiSAK-eartHeritage Multidisciplinary and Comparative Study”. In Connecting Stucco from the Mediterranean to Central Asia: Methodological Approaches and the State of Research. Brepols
Forgione, G., Clay sculpture from Tepe Narenj (4th/5th-10th centuries). A window into the Buddhist art of the Huna and Shahi period. ISMEO Series Maior XVIII – Serie Orientale Roma 55. Napoli–Roma
Filigenzi, A., “A Buddhist Version of the Śrīvatsa/Kausthuba: Artistic and Ideological Ties Between Afghanistan and Xinjiang in the Second Half of the 1st Millennium CE”. In G. Forgione, S. Mancini, C. Moscatelli (eds.) Proceedings of the International Conference “Re-materialising the ephemeral: The clay and stucco artistry of Ancient Asia”, held at “L’Orientale” University of Naples, 16–17 September 2025. Rome: ISMEO
Forgione, G., “Colour and Power: Political and Ritual Symbolism in Ancient Central Asia”. In G. Forgione, S. Mancini, C. Moscatelli (eds.) Proceedings of the International Conference “Re-materialising the ephemeral: The clay and stucco artistry of Ancient Asia”, held at “L’Orientale” University of Naples, 16–17 September 2025. Rome: ISMEO
Forgione, G., “Ongoing Studies about Tapa Sardar: Graphic Anastylosis and Interpretative Challenges”. In A. Filigenzi (ed.) Proceedings of the International Conference Pratibimba – Discourses on Indian Art and Archaeology in Memory of Maurizio Taddei (1936–2000), held at Accademia Vivarium novum – Villa Falconieri, Frascati, and “L’Orientale University of Naples”, 26–28 February 2026. Rome: ISMEO
Forgione, G., “Colouring the body: pigments, symbolism, and beauty practices in ancient Afghan Buddhist art”. In M. López-Prat, E. Cantisani, S.S. Bean (eds.) From Earth to Enlightenment: Materiality, Technology and Cultural Transmission in Buddhist Monumental Terracruda Sculpture. Collana Marco Polo. Studies in Global Europe-Asia Connections
Forgione, G., “Cultural Meanings and Perception of the Materials Used in the Buddhist Clay-based Sculpture”. In M. Zin, M. Frenger (eds.) Proceedings of the 26th Conference of the European Association for South Asian Archaeology and Art, Leipzig 16-20 September 2024. Leipzig
Forgione, G., Mancini, S., Moscatelli, C. (eds.) Proceedings of the International Conference “Re-materialising the ephemeral: The clay and stucco artistry of Ancient Asia”, held at “L’Orientale” University of Naples, 16–17 September 2025. Rome: ISMEO
Mancini, S., “Materiality and Technique in Sassanian Architecture: Stucco, Mortars, and Plasters from Gawr Tepe (KRI, Iraq). In G. Forgione, S. Mancini, C. Moscatelli (eds.) Proceedings of the International Conference “Re-materialising the ephemeral: The clay and stucco artistry of Ancient Asia”, held at “L’Orientale” University of Naples, 16–17 September 2025. Rome: ISMEO
Moscatelli, C., “The Meditating Monkey from Tapa Sardar, Ghazni, Afghanistan: Remarks on a Transregional Buddhist Theme”. In G. Forgione, S. Mancini, C. Moscatelli (eds.) Proceedings of the International Conference “Re-materialising the ephemeral: The clay and stucco artistry of Ancient Asia”, held at “L’Orientale” University of Naples, 16–17 September 2025. Rome: ISMEO
Forgione, G. (2025) Pigments and painting techniques of the Buddhist clay sculpture in Afghanistan: some preliminary observations. In A. Vanleene, A. Marguier, V. Brice (eds.) Gandhāran Artists and Artisans. Representations of an Era of Religious Images. Archaeologia Afghana Serie scientifique VI, Strasbourg: 129–146
Lo Muzio, C. (2026) An Overview of Khotanese Sculpture and Related Issues. 海潮音 [Hai Chao Yin] 2: 1–26
Lo Muzio, C. (2026) Recent Advances and Persisting Gaps in the Study of Khotanese Painting. Religions 17, 3: 3–15. DOI: https://doi.org/10.3390/rel17030300
Lo Muzio, C. (2026) Intersecting artistic tradition in the Tarim Basin: A painted wooden panel from Kizil (Kucha, Xinjiang). Studies in Chinese Religions. DOI: 10.1080/23729988.2026.2627843
Moscatelli, C. (2026) New Insights into Relic Installation in Gandharan Buddhist Sculptures. Rivista degli Studi Orientali N.S. XCVIII, 2–3: 159–180
Forthcoming
Filigenzi, A., “From models to models: The rhyzomatic history of tsha tshas”. In D. Andolfatto (ed.), Votive stamped clay objects throughout the Buddhist world: materials, texts and rituals. Proceedings of the International workshop organized by the SEECHAC, November 19, 2024 (provisonal title)
In preparation
Filigenzi, A., “Shared Visual Grammars of Late Antique Buddhism: Some Evidence from Afghanistan and Neighbouring Regions”. In A. Filigenzi (ed.) Proceedings of the International Conference Pratibimba – Discourses on Indian Art and Archaeology in Memory of Maurizio Taddei (1936–2000), held at Accademia Vivarium novum – Villa Falconieri, Frascati, and “L’Orientale University of Naples”, 26–28 February 2026. Rome: ISMEO
Filigenzi, A., “The corollaries of beauty: Some reflections on the monstrous and grotesque in the Buddhist sculpture of Afghanistan”. East and West
Filigenzi, A. (ed.) Proceedings of the International Conference Pratibimba – Discourses on Indian Art and Archaeology in Memory of Maurizio Taddei (1936–2000), held at Accademia Vivarium novum – Villa Falconieri, Frascati, and “L’Orientale University of Naples”, 26–28 February 2026. Rome: ISMEO
Lo Muzio, C., “Towards a Reassessment of the Clay Sculptures from Kuevkurgan (Southern Uzbekistan)”. In G. Forgione, S. Mancini, C. Moscatelli (eds.) Proceedings of the International Conference “Re-materialising the ephemeral: The clay and stucco artistry of Ancient Asia”, held at “L’Orientale” University of Naples, 16–17 September 2025. Rome: ISMEO
Lo Muzio, C., “The Afterlife of a Classical Motif in a Khotanese Buddhist Temple”. In A. Filigenzi (ed.) Proceedings of the International Conference Pratibimba – Discourses on Indian Art and Archaeology in Memory of Maurizio Taddei (1936–2000), held at Accademia Vivarium novum – Villa Falconieri, Frascati, and “L’Orientale University of Naples”, 26–28 February 2026. Rome: ISMEO
